The Garden of Allah novels – Book 4 – Title and Cover art reveal

I am very happy to announce the title of the 4th book in my Garden of Allah series:


And just yesterday, I received the artwork for the cover:

Searchlights and Shadows (Book 4 - Garden of Allah novels) Cover Artwork by Daniel Yeager at Nu-Image Design


The book is due for release January 2015. Meanwhile, watch this space for the official back cover blurb and first chapter, or — even better — sign up to the Garden of Allah novels mailing list and be among the first to read it!


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Martin joins the Great Literary Blog Hop.

I was recently approached by editor/author Caroline Kaiser to participate in the Great Literary Blog Hop.

As part of the blog hop, I’m required to answer four specific questions about my work. At the end, I’ll provide links to the blogs of some writers who are taking up the challenge to continue the hop. So here we go!

  1. What are you working on/writing?

I am currently at work on the 4th book in my series of historical novels set in and around the Garden of Allah Hotel, which stood on Sunset Boulevard from 1927 to 1959. My three protagonists (Marcus, an MGM screenwriter; Kathryn, a gossip columnist for the Hollywood Reporter; and Gwendolyn, an aspiring actress) are tenants of the residential Garden of Allah and we follow their lives as the golden years of Hollywood unfold around them.

The first three books take us from the opening night party of the Garden of Allah in early 1927, to December 1941, the eve of WWII. The 4th book follows Marcus, Kathryn, and Gwendolyn through life on the Hollywood home front during the dark days of WWII.

I’ve finished the latest draft and yesterday, I sent the manuscript off to six advance readers to get their feedback. I’ve got until the start of November to fiddle and tweak it (or major-overhaul it, depending on my readers’ feedback…) On November 1st, I’ll be handing it over to my kick-ass editor, Meghan Pinson.

  1. How does your work/writing differ from others in its genre?

As a writer you’re always hearing the (sensible) advice: Read deeply in your genre. So when I started work on this series, I Googled and Amazoned but found very few books in my genre. Most books I came across that are set during Hollywood’s golden years are murder mysteries or have a supernatural element, often featuring the ghosts of long-dead silent screen stars.

My work differs from the few non-mystery/non-supernatural Hollywood novels largely because the other books tend to make up studio names, like “Stupendous Pictures” and movie moguls “Lionel B. Mahr.” I went the opposite way with my books. The real-life Garden of Allah claimed many famous names among its residents: Ginger Rogers, Bogie and Bacall, F. Scott Fitzgerald, Dorothy Parker, Harpo Marx, Rachmaninoff, Robert Benchley, Artie Shaw, Frank Sinatra, Errol Flynn, and many others. To my mind, the whole point about writing a series of novels set at the Garden of Allah was the opportunity to have all these famous people – and so many, many more – come in and out of the narrative. Life at the Garden of Allah (and by extension Hollywood at large) was all about getting drunk with Tallulah Bankhead, flirting with Errol Flynn, playing charades with Dorothy Parker and Robert Benchley. Why make up fake stars and fake studios and fake moguls when the real thing was so much more interesting, and complex?

3. Why do you write what you do?

I had previously written three novels, and while they were each better than the one before, none of them were good enough to publish, so I was casting around for a zinger of an idea. I happened upon an online article about the Garden of Allah Hotel and on reading about the caliber of people who stayed there, (for a full list, go here) I was intrigued and the idea of telling the story of the history of Hollywood through the eyes of its residents was born. It drew together my love of history, especially both Hollywood and Los Angeles history, fiction, old movies, architecture, and photography.

  1. How does your writing process work?

I start with an outline, which is a chapter-by-chapter breakdown of what happens, who’s involved, where, when, what’s at stake or at risk. I’ll throw in reminders of what was happening historically at the time, ideas for songs playing on the radio in the background, snatches of dialogue.

Once that’s done, I go back to the start and write each chapter in chronological order. This is the “chuck in everything” draft. I include every detail, color, sound, smell, feeling, background, foreground, lots of adjectives, interjections, physical bits, actions and reactions. I’m throwing everything against the wall to see what will stick. The next draft is when I carve out the obvious fat, and the draft after that, I get really cruel and cut out as much excess as I can. I shorten dialogue, abbreviate description, cut out extraneous action or perhaps strands of plot or character development I was hoping to cultivate but didn’t, or saw it wasn’t necessary.

Once I’ve cut and reshaped as much as I can, I give the manuscript to my advance readers. By this stage, I’ve been working on the book for 7 or 8 months and have completely lost my objectivity. The work now needs new eyes to tell me if the plot holds together, do the character arcs ring true, am I repeating myself. I then sort through that feedback, tweaking and fiddling, correcting and improving. Then, when it’s as good as I can possibly get it, I hand it over to Meghan who will take it to the next level.

Once I’ve finished making the editing adjustments Meghan has suggested, I get my computer to read the whole thing out loud to me – there is something about hearing your work read out loud to you that gives you distance – just in case there’s any last minute tweaking I want to do. Then I give it to my partner, Bob – aka The World’s Best Proof Reader – who always catches the errors that the rest of us have somehow managed to miss.

And once I’ve made those corrections, I am ready to publish…which is a whole other (exhausting and exacting) process.


So now I’ll hand it over to my fellow hoppers:

Debra Ann Pawlak writes from southeastern Michigan. Her latest book, Bringing Up Oscar, The Men and Women Who Founded the Academy, is available online in hardcover, paperback, ebook and audio versions. Her work has also appeared in various publications such as Chicken Soup for the Soul, Scoliosis Quarterly, Aviation History, Pennsylvania Heritage, The Writer and Michigan History Magazines. To learn more, please visit her website at  or her Facebook page (Hollywood: Tales from Tinsel Town). You can follow her on Twitter too: @dapwriter.

Debra’s blog


Mark B. Perry is an Emmy and Golden Globe Award-winning writer-producer whose credits include Revenge, Brothers & Sisters, Pasadena, Party of Five, Law & Order, Picket Fences, Northern Exposure, and The Wonder Years. As a third grader, he knew he wanted to become a writer thanks to The Dick Van Dyke Show, and NBC’s Saturday Night at the Movies sparked his life-long love of classic Hollywood. In seventh grade, he wrote a stage sequel to Gone With The Wind which he produced, directed, and played Rhett Butler. City of Whores is his debut novel.

Mark’s blog


By age eight, Cat Robson had been around the US three times, journal in hand. She let her parents drive. Twelve years later, she had studied throughout Europe and discovered she wanted to be a writer. Her motley history as an actress, temp, sculptor, film editor, book promoter, student of Depth Psychology and entrepreneur, has proven as much of an asset as a checkered past. Fed on classic cinema and hard-boiled detective fiction, she brings to her debut noir novels of the Hollywood blacklist, The Mocambo Affair and its sequel Chamber of Liars, the glamour of the Golden Age of Hollywood. A dystopian novel, The Salamandrine Fires, and Keeping Mum, a novel about ESP, are in the works.

Cat’s blog


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Announcing the release of the audiobook version of “Citizen Hollywood”

Citizen Hollywood Audiobook cover

I am very pleased and proud to announce the release of the audiobook version of book 3 in the “Garden of Allah” series: Citizen Hollywood.

The narrator of my audiobooks is John C. Zak and he has done another superb job breathing life into not just my characters – Marcus, Kathryn and Gwendolyn – but everyone who gets caught up in their lives – Orson Welles, William Randolph Hearst, Ramon Novarro, Zanuck, Mayer…the gang’s all here!

The Citizen Hollywood audiobook is available through:



(Book 3 in the Garden of Allah series)

by Martin Turnbull

Hollywood, 1939: When Tinseltown begins to woo wunderkind Orson Welles, he stashes himself at the Chateau Marmont until he’s ready to make his splashy entrance. But gossip columnist Kathryn Massey knows he’s there. Kathryn has been on the outs with Hollywood since her ill-fated move to Life magazine, but now that she’s back at the Hollywood Reporter, she’s desperate to find the Next Big Thing. Scooping Welles’ secret retreat would put her back on the map, but by the time she hears rumors about his dangerous new movie, she’s fallen prey to his charms.

She needs to repair her reputation, find out if Welles will take on the tycoon, and extricate herself from an affair with a man whose kisses make her melt like milk chocolate. Hollywood writers are only as good as their last screen credit, but Marcus Adler is still scrambling for his first. His Strange Cargo will star Clark Gable after Gone with the Wind wraps, but Machiavellian studio politics mean Marcus’ name might not make it to the screen. It’s time to play No More Mr. Nice Guy.

Opportunity knocks when his boss challenges the writing department to outdo The Adventures of Robin Hood, and Marcus is confident – until the love of his life bursts back onto the scene. How can he write another word until he knows for once and for all whether he and Ramon Navarro will be together? And to make matters worse, it seems like someone in town is trying to sabotage him.

Everyone knows if you haven’t made it in Hollywood by the time you’re 30, it’s curtains… and Gwendolyn Brick is starting to panic. She’s considering moving to a naval base in the Philippines with her baby brother, but she wants to give Hollywood one last go before she gives up. When she saves Twentieth Century Fox honcho Daryl F. Zanuck from an appalling fate at a poker game that goes awry, he rewards her with a chance at a role in a major movie. Gwendolyn needs to win before her ship sets sail. When William Randolph Hearst realizes Citizen Kane is based on him, he won’t be happy – and when Hearst isn’t happy, nobody’s safe. Marcus, Kathryn, and Gwendolyn need to go for broke, and the clock is ticking. Citizen Hollywood is the third in Martin Turnbull’s series of historical novels set during Hollywood’s golden age.


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The Garden of Allah novels – coming to a screen near you???

Will the Garden of Allah Hotel live to see another day?

It’s quite possible…if only on a movie studio backlot.

I am very excited to announce that my first three books:

have been optioned by a producer with a substantial list of film and television credits.

The Garden of Allah novels - coming to a screen near you soon...????Not long after I conceived the central idea behind the Garden of Allah novels – to tell the story of the history of Hollywood through the eyes of the (fictional and real) people who lived, loved and played at one of its most legendary hotels, the Garden of Allah – I could see that it readily lent itself to being the basis for a TV series. I’ve been approached a couple of times before by people interested in developing the idea, but nothing much came of it.

This new producer, however, is very into old Hollywood, the movies, the stars, the studio system, and feels – as I do – that the time is right to launch the Garden of Allah’s story onto either the movie or television screen.

Tabrez Noorani‘s company is Tamasha Talkies and along with his producing partner Deepak Nayar has been on the producing teams of:

  • Alexander
  • Bride and Prejudice
  • Slumdog Millionaire
  • Eat, Pray, Love
  • The Best Exotic Marigold Hotel
  • Mission Impossible – Ghost Protocol
  • Life of Pi
  • Zero Dark Thirty
  • Million Dollar Arm
  • The Best Exotic Marigold Hotel 2
  • The Hundred Foot Journey

The exclusive announcement was made today on The Hollywood Reporter website.

Bringing novels to the large or small screen is generally a long process which could take years to develop, but a first step has been taken. Who knows where it might lead?

Meanwhile, may the fantasy casting games begin!

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Introducing the Garden of Allah Novels companion map of Los Angeles and Hollywood

I’ve always been a bit of a map fan, especially the sort of maps that show “Bright Spots of Hollywood” or a map of Beverly Hills courtesy of the Beverly Hills USO Canteen during WWII.

At the top of my one-of-these-days wishlist, I had always thought about putting together a map of Los Angeles & Hollywood showing the major spots around town during those golden years, featuring the places that I write about in my novels. I thought it might give readers a clearer idea of where Ciro’s and the Mocambo and Romanoff’s were in relation to each other, and to Marcus, and Kathryn, and Gwendolyn’s home at the Garden of Allah Hotel.

But the design and software skills necessary to put something like that together were far beyond my pay grade. When I mentioned my I-have-a-map-dream to Dave DeCaro at Davelandweb whose terrific map of Disneyland I’ve long admired (read: map envy), he suggested we work on one together.

This was quite some time ago and I don’t think either of us quite imagined how much time and effort a project like this would take. But isn’t that often the way? If you knew ahead of time how much work was involved, you might not have started it in the first place. It’s probably a good thing we weren’t blessed with foresight because it’s now done and I am very, very happy with the results.

The Garden of Allah Novels companion map of Los Angeles and HollywoodClick to enlarge, then click again for an even larger image.

 Map by Dave DeCaro at Davelandweb

This map is also available on


8150 Sunset Boulevard, West Hollywood
Opened – 9th January 1927, Closed August 1959

8024 Sunset Boulevard, West Hollywood
Opened – 1932, Closed October 1983

9641 Sunset Boulevard, Beverly Hills
Opened 12TH MAY 1912, Still open

3377 Wilshire Boulevard, Los Angeles.
Opened – 1926, Closed 1980

1628 Vine St, Hollywood
Opened February 14th,1929, Closed 1987

8796 Sunset Boulevard, Beverly Hills
Opened 1939, Closed 1948

8610 Sunset Boulevard
Opened 18th September 1934 with a checkered history after that. The building was pulled down in 1963.

7007 Hollywood Boulevard, Hollywood
Opened 1929

9039 Beverly Boulevard, Los Angeles
Opened 13th December 1936 as Chasen’s Southern Barbecue Pit, Closed 2000

8221 Sunset Boulevard
Opened 1st February 1929, Still open

6724 Hollywood Boulevard
Opened in 1922, building still standing

8433 Sunset Boulevard, West Hollywood
Opened January 30th 1940, Closed 1957

8477 Sunset Boulevard, West Hollywood
Opened 14th October 1937, Closed 1944

9170 Sunset Boulevard, West Hollywood.
Opened 1937, Closed 1987

1727 North McCadden Place, Hollywood
Opened in 1933

6708 Hollywood Boulevard, Hollywood
Opened October 18th 1922, Still open

6838 Hollywood Boulevard, Hollywood
Opened 1926 as a legitimate theater called the Paramount, then became a movie theater in 1941, Still open

5951 Hollywood Boulevard, Hollywood
Opened December 28th, 1938, Still in operation

7021 Hollywood Boulevard, Hollywood
Opened on New Year’s Eve 1919

6925 Hollywood Boulevard, Hollywood
Opened May 18th 1927, Still open

Highland Ave, Hollywood
Opened July 11th 1922, Still open

1451 Cahuenga Boulevard (on the corner of Sunset), Hollywood
Opened October 3rd 1942, Closed November 2nd 1945

Corner of Hollywood and Highland
Opened 1903, Closed 1956.

6215 Sunset Boulevard, Hollywood
Opened 1940, Still open

7000 Hollywood Boulevard, Hollywood
Opened May 15th 1927, Still open

1714 Ivar Ave, Hollywood
Opened 1925, building still standing

1637 Vine St., Hollywood
Opened September 3rd 1937

Hollywood Boulevard, Hollywood
Opened 1934. Later became Frederick’s of Hollywood. Building still standing

8361 Sunset Boulevard, West Hollywood
Opened by Hollywood Reporter’s Billy Wilkerson on April 22nd 1944

8588 Sunset Boulevard, West Hollywood
Opened January 3rd 1941, Closed 1959

6753-63 Hollywood Boulevard
Opened December 1922, fallen out of popularity by mid-1930s, building still standing

6667 Hollywood Boulevard, Hollywood
Opened in 1919, remodeled in 1937, Still open

233 Hollywood Boulevard, Hollywood
Opened June 4th 1930, Still open

8225 Sunset Boulevard, West Hollywood
Opened Summer of 1940, sold off circa mid-1950s

325 (326?) North Rodeo Dr., Beverly Hills
Opened December 19th 1940, Closed New Year’s Eve 1962

1716 North Cahuenga Ave, Hollywood
Opened in 1930, Closed 1988.

6666 Sunset Boulevard, West Hollywood
Opened May1933, Closed late 1938, later reopened as Ruby Foo’s.

3050 Wilshire Boulevard, Los Angeles
Opened 26th September 1929, Closed 2nd April 1993

3400 Wilshire Boulevard, Los Angeles
Opened May 1921, Closed 1989

3401 Wilshire Boulevard, Los Angeles
Opened 1936, Closed late 1960s.

7156 Santa Monica Boulevard, Los Angeles
Opened 1925, Still open

314 North Camden Drive, Beverly Hills
Opened July 1947 by Hollywood Reporter’s Billy Wilkerson, who sold it in October 1948.

6316 San Vicente Boulevard
Opened 1926, Demolished 1969

Venice Pier, Venice
Built 1905, Razed October 1946


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Katharine Hepburn at the Garden of Allah Hotel (The Katharine Hepburn blogathon of May 2014)

Katharine Hepburn Blogathon 2014

When Margaret Perry asked me to participate in this wonderful Katharine Hepburn blogathon, I knew exactly what I wanted to write about: in 1941, Hepburn installed herself at the Garden of Allah Hotel and helped put together the first of the Hepburn/Tracy films, Woman of the Year.

The Garden of Allah Hotel stood at the corner of Sunset Boulevard and Crescent Heights. Originally the residence of silent screen star, Alla Nazimova, it was converted into a hotel during late 1926 and opened in 1927, just months before The Jazz Singer heralded the dawn of the talkies, and closed in 1959 at the dusk of the studio system. Over the 32 years it was open, a Who’s Who of Hollywood names called it home: Errol Flynn, Tallulah Bankhead, Harpo Marx, Robert Benchley, Dorothy Parker, Bogie and Bacall, F. Scott Fitzgerald, Lillian Hellman, Ginger Rogers, Frank Sinatra, Orson Welles—the list is virtually endless. A well-known watering hole for actors and writers, it was the perfect place that Hepburn was needed during the spring of 1941.

In 1938, after a string of flops (which included the now-classic Bringing Up Baby with Cary Grant), Katharine found herself declared box office poison. She remedied that by going to Howard Hughes and asking him to help finance a play called The Philadelphia Story, which she performed on the stage in 1939 and brought to the screen in 1941. The movie proved to be the fifth most popular at the US box office that year, thus putting Kate back on track. But being back on track and staying back on track are two different things and she was searching for a solid follow-up.

It arrived in the form of writer/director Garson Kanin. A story about a down-to-earth sports columnist reluctantly falling in love with a more famous news reporter came to him when he received a letter from sports writer Jimmy Cannon after Cannon had spent an evening with political columnist Dorothy Thompson. He thought the character based on Thompson would be a good fit for Hepburn, whom he’d met through Vivien Leigh during the Broadway run of The Philadelphia Story. Hepburn pounced on the idea.

The two of them recruited a pair of screenwriters: Garson’s brother Michael Kanin (who would later co-write Teacher’s Pet starring Clark Gable and Doris Day) and Ring Lardner Jr. (who would go on to become one of the infamous Hollywood Ten, the group of film people who refused to cooperate with the House Un-American Activities Committee which led to their being jailed and blackballed from the industry.) So Hepburn rented one of the villas at the Garden of Allah Hotel and the foursome locked themselves in and banged out the story.

Shady side paths at the Garden of Allah Hotel

Shady side paths at the Garden of Allah Hotel

Chasen’s was a famous restaurant at the corner of Beverly Boulevard and Doheny Drive. It was very popular with the Hollywood crowd—particularly for its chili—and wasn’t too far from the Garden of Allah, so Hepburn had Chasen’s deliver their meals so that no time need be lost. The villas at the Garden of Allah were also self-contained so they had everything they needed to get the job done in the time available to them. Well, not everything. They also hired a pair of typists who tag-teamed the hard work of typing out draft after draft. By the end of the five days the poor women’s fingers were “too stiff to hold a cigarette.” But between the determined star, the three talented writers, and two hardy typists, they got the job done.

The most-generally accepted version of what happened has them putting the whole thing together in just five days because WWII was now on, and Garson Kanin was being drafted. But Woman of the Year had its premiere on January 19th, 1942, barely six weeks after Pearl Harbor. Anne Edward’s biography says that Hepburn sold the project to MGM in early May of 1941 which means this intense stay at the Garden of Allah must have happened some time between late April to early May 1941—seven months before Pearl Harbor. So Garson’s imminent drafting can’t have been the reason, but every source I’ve come across says that by the end of five days, they had a detailed treatment of a film they were now calling Woman of the Year.

By the Monday morning, Hepburn took the 106 pages they’d churned out (she’d promised Mayer 60 pages—talk about an over-achiever!) and delivered them personally to MGM, then retreated to her room at the Beverly Hills Hotel to sit by the phone. When it rang the next day, Sam Katz, a vice president at MGM was on the other end of the line offering her $175,000. But Hepburn held out for $210,000 (talk about ballsy!) — $50,000 each for Michael Kanin and Ring Lardner Jr., $10,000 for her agent, Leland Hayward, and $1000 for the Garden of Allah bill. (Garson Kanin never got any screen credit on Woman of the Year so I suspect maybe he and Hepburn came to an arrangement of some sort—he went on to write two more Hepburn/Tracy pictures: Adam’s Rib (1949) and Pat and Mike (1952.)) Katz knew the project was too good to turn down so he  agreed to Hepburn’s price. It set the record for the highest amount ever paid by a Hollywood studio for an original screenplay. Word soon got out around Hollywood that a woman (a box-office poisoned one, at that) had beaten a major Hollywood studio at its own game.

To her enormous credit, Hepburn withheld the names of the two screenwriters until after Film Daily 16OCT1941the deal was agreed on. Previously, both Kanin and Lardner had only earned a maximum of $3000 for a screenplay, and here was Hepburn seeing to it that they earned $50,000. In a number of ways, Woman of the Year was a game-changer, and a history maker.

Hepburn’s first choice to play opposite her was Spencer Tracy but he was on location in Florida shooting The Yearling, so MGM suggested Clark Gable or Walter Pidgeon. Either of those actors would probably have been fine, but The Yearling suffered location problems and was shut down. Suddenly Tracy was available for Woman of the Year.

In her book, Me: Stories of My Life, Hepburn said that Tracy needed to be convinced to work with her. At their first meeting, he took exception to the dirt under her fingernails and her preference for wearing pants. She said to him, “I’m afraid I’m a little too tall for you.” To which he replied, “Don’t worry, I’ll cut you down to my size.”

Spencer Tracy Katharine Hepburn in "Woman of the Year."

Spencer Tracy Katharine Hepburn in “Woman of the Year.”

Apparently he did because Woman of the Year saw the start of a decades-long relationship between the stars, was the first of a legendary run of nine movies the two stars made together, won a pair of Best Original Screenplay Oscars for Michael Kanin and Ring Lardner, Jr., and inspired a Broadway musical in 1981 starring Lauren Bacall which in itself won 5 Tony awards and ran for over 700 performances.

But none of it would have happened without Hepburn’s drive, tenacity, energy and good old New England pluck to take charge of her career during a time when women were largely stuck toiling in the men’s sandbox. It took a lot to pull off a deal like this, even more to see it through to such a successful conclusion, and for that, Katharine Hepburn deserves a heaping helping of credit.

Screen Shot 2014-03-28 at 1.03.54 PM

Click here to see the original movie trailer for “Woman of the Year.”

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Announcing the release of Book Three of the Garden of Allah novels: CITIZEN HOLLYWOOD

"Citizen Hollywood" by Martin Turnbull

“Citizen Hollywood
by Martin Turnbull
Book 3 in the Garden of Allah novels

I am very happy to announce that my next novel “Citizen Hollywood”
is now available.

The story picks up in April of 1939, a month after the end of The Trouble with Scarlett.


Theater and radio wunderkind Orson Welles stashes himself at the Chateau Marmont until he’s ready to make his splashy entrance. But Kathryn Massey knows he’s there.

Now that Kathryn is back at the Hollywood Reporter, she’s desperate to find the Next Big Thing. Scooping Welles’ secret retreat would put her back on the map, but by the time she hears rumors about his dangerous new movie, she’s fallen prey to his charms.

Marcus Adler is still scrambling for his first screen credit. His Strange Cargo will star Clark Gable after Gone with the Wind wraps. A huge opportunity knocks but Machiavellian studio politics mean Marcus’ name might not make it to the screen. It’s time to play No More Mr. Nice Guy.

Gwendolyn Brick is nearly 30. Her baby brother wants her to move with him to the exotic Orient, but she wants to give Hollywood one last go. When she saves Daryl Zanuck from humiliation, he rewards her with a chance at a role in a major movie.

When William Randolph Hearst realizes Citizen Kane is based on him, he won’t be happy—and when Hearst isn’t happy, nobody’s safe.


The first chapter is available to read on my website: CHAPTER ONE


Martin Turnbull with "Citizen Hollywood"

Martin Turnbull with
“Citizen Hollywood”

Citizen Hollywood will available in all formats. The paperback and Kindle ebook versions are available right now:

Amazon (US) paperback

Amazon (US) Kindle ebook

Amazon (UK) paperback

Amazon (UK) Kindle ebook

And the other versions (including the ones below) will become available as they come online (but they each seem to do it at their own unpredictable pace so check back on the Citizen Hollywood page of my website for updates.)

Barnes & Noble Nook ebook

Apple iTunes ebook

Kobo ebook

Audio book


And when you have read it (and assuming, of course, that you enjoyed it), if you have the chance and inclination, I’d really appreciate it if you could leave a review on my Amazon page. Rate it as many stars as you see fit, and give your honest opinion. The more reviews a book has, the higher its Amazon profile. Thanks!


Have you read Book One yet?

"The Garden on Sunset" by Martin TurnbullThe Garden on Sunset

is available in all formats

More information can be found on my website:

> > >   S P E C I A L   P R O M O T I O N   < < <

As a special promotion to celebrate the release of Citizen Hollywood,
the Kindle version of The Garden on Sunset has been slashed
to only 99 cents until Sunday 16th February 2014.
Procrastination is not recommended!

PLEASE NOTE: It is not necessary to have a Kindle ereader to read the Kindle version of any book.You can download the free Kindle app for any
computer, smart phone or mobile device.


You can also follow me on

Facebook: gardenofallahnovels


And a personal note to everyone who have read The Garden on Sunset and The Trouble with Scarlett and took the time to tell me how much they enjoyed it:
Your support has been wonderfully encouraging.

All the best,

Martin Turnbull

P.S. – feel free to pass this email along to anybody who you think might be interested!

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