“Salomé” (1923) essay for the National Film Preservation Board

I was recently approached by Library of Congress’ National Film Preservation Board to write an essay on Alla Nazimova’s movie of “Salome” (1923). The Board was established in 1988 to ensure the survival, conservation and increased public availability of America’s film heritage. I was very happy (and flattered) to contribute the following essay.

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Salomé (1923)

Essay for the National Film Preservation Board.

by
Martin Turnbull

June, 2015

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Nazimova in Oscar Wild's "Salome"~~oOo~~

 Although little remembered today, Russian-born actress Alla Nazimova was a major star of Broadway in the early 1910s. Inevitably, her enormous success on the dramatic stage led to attracting the attention of the nascent film industry. It was Metro Pictures (later of MGM fame) who signed Nazimova in 1918 at an unprecedented salary of $13,000 a week (at a time when the queen of silent cinema, Mary Pickford, was earning $10,000) and brought her west to Hollywood. Setting herself up in a mansion that sat on a 2.5-acre block at Sunset Boulevard (which, ten years later, would be transformed into the Garden of Allah Hotel), Alla set about conquering Hollywood in the same way she’d set the Great White Way aflame.

At first, she did extraordinarily well, playing a gypsy in Toys of Fate (1918), a sheik’s daughter in Eye for an Eye (1918), and unwed mother in Out of the Fog (1919), and Chinese half-sisters in The Red Lantern (1919). Other hits like The Brat (1919) and Madame Peacock followed (1920.)

By the start of the 1920s, however, Nazimova grew restless with playing the puppet and wanted more control over the films she appeared in. On the set of Billions (1920) Nazimova met an equally ambitious and talented costumer / set designer / art director, Natacha Rambova who created the art direction and costume designs for Nazimova’s next vehicle, Camille (1921). With its ultra-modern design, the film was deemed ahead of its time and received varied critical reaction, and enjoyed only moderate success.

After its release, Nazimova and Metro went their separate ways, and Alla turned to producing her own films through her production company, Nazimova Productions. Although the history of early cinema is punctuated with the contributions of many women (screenwriters Frances Marion, June Mathis, Lenore Coffee and Anita Loos; directors Lois Weber and Dorothy Arzner), Nazimova took charge of every aspect of her career, much in the same way as Fairbanks, Pickford, Chaplin, and Griffith did in 1919 when they formed United Artists.

Her first independent feature was a film of Ibsen’s A Doll’s House (1922), released through United Artists. Although it was a critical hit, it was far from a commercial success. However, Nazimova had tasted independence and wanted more of it, and set her sights on making what she wanted to be her greatest achievement: a film adaptation of Oscar Wilde’s Salomé (1923.)

Inspired by the artwork of illustrator Aubrey Beardsley, Nazimova and Rambova set about making a version of Salomé such as 1920s filmgoers had never seen. Even by today’s standards, the film’s art direction reached for the outer limits of avant-garde.

Nothing on screen is designed to suggest first century Roman Empire. Instead, Nazimova sought to recast Wilde’s one-act play in a world where the ruling aesthetic is Art Nouveau meets searing minimalism meets Hollywood decadence. This is a world where wigs come fitted with glowing baubles, actors wear stockings patterned in palm-sized fish scales, and king’s yes-men don headdresses that resemble giant, glittering conches.

Although it had its supporters—in its review, Photoplay Magazine said, “A hothouse orchid of decadent passion . . . You have your warning: this is bizarre stuff”—it’s not hard to see why moviegoers barely knew what to make of this astonishing spectacle. After all, this was 1923, and people wanted The Hunchback of Notre Dame, with Lon Chaney; Zaza, with Gloria Swanson; and Cecil B. DeMille’s The Ten Commandments.

In Salomé what they got was a 42-year-old lead actress playing a teenager sporting cinema’s first micro-mini skirt as she performed a dance of the seven veils accompanied by chorus girls decked out in two-foot shoulder pads.

The world wasn’t ready for Nazimova’s inspired vision for Salomé and the film flopped badly. Consequently, Nazimova lost the ton of money she sunk into the film. She made a couple more movies, but was unable to recover financially, and left the movie industry in 1925, returning to the theater until the 1940s when she experienced a minor career second wind before her premature death in 1945.

However, when seen through 21st century eyes, Salomé is a phantasmagoria of striking images, unbridled sensuality, and fearless storytelling. It also leaves the viewer with the lingering sense that if Alla Nazimova had the good fortune to come along a hundred years later than she did, she’d have found a world with its arms thrust wide open to embrace the groundbreaking artist that she was.

Martin Turnbull is the author of the Hollywood’s Garden of Allah novels, set in and around the Garden of Allah Hotel during Hollywood’s golden era.

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LINKS:

National Film Preservation Board’s website

The NFPB’s Index of Film Essays

Salomé essay on NFPB’s website

Alla Nazimova Society website

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Hollywood's Garden of Allah novels, by Martin Turnbull

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www.MartinTurnbull.com

Hollywood’s Garden of Allah novels by Martin Turnbull, on Facebook

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Announcing the release of the audiobook version of “Searchlights and Shadows”

"Searchlights and Shadows" Audiobook CoverI am very pleased and proud to announce the release of the audiobook version of book 5 in the “Hollywood’s Garden of Allah” series: Searchlights and Shadows.

I now have a new narrator of my audiobooks: Lance Roger Axt and I think he’s done a wonderful job breathing life into not just Marcus, Kathryn and Gwendolyn, but also the dark days of WWII.

The Searchlights and Shadows audiobook is available through:

~~~oOo~~~

SEARCHLIGHTS AND SHADOWS

(Book 4 in the Hollywood’s Garden of Allah series)

by Martin Turnbull

At the dawn of 1942, the dark days of Pearl Harbor still loom over Los Angeles. America is now at war, and posters warn home-front Hollywoodites that loose lips sink ships.

Wartime propaganda is the name of the game, and the studios are expected to conjure stories that galvanize the public for the war effort. Marcus Adler is an MGM screenwriter whose latest movie was stolen out from under his whiskey glass, and he’s determined it won’t happen again. He comes up with a sure-fire hit, but his chance to triumph is threatened by a vicious rumor: “Marcus Adler is a goddamned Commie.”

Gwendolyn Brick is the handiest gal with a needle this side of Edith Head. After losing her job at the Cocoanut Grove, she dreams of opening her own dress store. But banks don’t make loans to single girls. However, wartime in L.A. opens the door to an opportunity that will rake in the bucks. But will it be worth the trouble if it drags her back into the orbit of Bugsy Siegel?

At the outbreak of war, the Hollywood Reporter’s circulation starts to shrink like a food rations coupon book. Its lead columnist, Kathryn Massey, realizes she can no longer ignore the obvious: her boss, Billy Wilkerson, is gambling away his fortune—and her future. Could their very survival depend on a place nobody’s heard of called Las Vegas?

In the city of searchlights, suspicions can lurk behind every shadow.

~~~oOo~~~

Hollywood's Garden of Allah novels, by Martin Turnbull~~~oOo~~~

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www.MartinTurnbull.com

Hollywood’s Garden of Allah novels by Martin Turnbull, on Facebook

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HOLA! from the Garden of Allah

As of this writing, I currently have 4,700+ followers on my Facebook page. It took me a while to realize that it’s a snapshot of the people who read my novels set during Hollywood’s golden era. For a long while, it seemed like the lion’s share of the people who followed me were fellow Angelenos. I gauged that from the comments they’d leave on the vintage LA & Hollywood photos I post on Facebook: “I live around the corner from here!” and “This is still my favorite theater in LA!”

Then, as the number of my followers grew, I noticed the comments began to change. More frequently I started to hear from people who grew up in LA but had moved away: “Your photos make me miss LA.” or “My grandma used to take me to lunch there!”

Then, as time went on, I noticed people leaving comments like: “When I get to LA, I want this to be the first place I visit.” and “We have nothing like that here in Munich.” That’s when I noticed that I was blipping the radar of people who lived not only outside LA…or California…or the United States, but Norway and Romania and Singapore and Buenos Aires and Madrid and Istanbul. I tended to think that an interest in old Hollywood movies and the culture they emerged from was mostly (not exclusively, of course, but largely) confined to English-speaking countries. But my growing Facebook audience showed me that’s hardly the case. At all.

That got me thinking about how wonderful it would be if I could find a way to make my books available to non-English speaking people. I know enough French to buy a croissant in Paris, and enough Spanish to find the nearest men’s room in Madrid, but that’s hardly enough to translate a whole novel (let alone four, and counting…) What I needed was a professional translator.

And just like that, when I needed it, along came a website which did just that. Babelcube.com pairs authors with translators in the same way that Audiobook Creation Exchange pairs authors with narrators. On Babelcube, you post your book, along with a sample chapter and information about yourself, and then wait to see if any of the translators are interested in taking on your project.

I knew enough about translations to know that – like producing audiobooks – they’re a heck of a lot of work. But I figured that if my Facebook numbers were anything to go by, there might be some interest. And it turned out there was. Within a couple weeks I heard from Carlos Ucar, a Spanish guy now living in London, who wanted to translate my first book, The Garden on Sunset. Right after I heard from him, I was contacted by Gabriela Garcia Calderon, a lawyer in Lima, Peru, who wanted to translate the second one, The Trouble with Scarlett.

I also knew enough about translations to know that, as handy as Google Translate is, they’re as much an art as writing the original material. So I asked Carlos and Gabriela to translate the first chapter of each book, which they did, and I gave it to two friends who speak fluent Spanish AND who are into the old Hollywood era to see if these translations were good. Both Carlos and Gabriela got big thumbs up from my test readers so I gave Carlos and Gabriela the go ahead.

I heard from each of them when they were about halfway through, and then before I knew it, they were finished and hey presto:

"The Garden on Sunset" and "The Trouble with Scarlett" by Martin Turnbullbecame:

"El Jardin en Sunset" & "El Problema con Scarlett" by Martin Turnbull~~oOo~~

So I am now very excited to announce that the Spanish version of my ebooks are available through all the usual channels:

El Jardin en Sunset:

Amazon (US)

Amazon (UK)

Amazon (Spain)

iTunes

Barnes & Noble Nook

Kobo

Scribd

Buecher.de (Germany)

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El Problema con Scarlett:

Amazon (US)

Amazon (UK)

Amazon (Spain)

iTunes

Barnes & Noble Nook

Kobo

Scribd

Buecher.de (Germany)

~~oOo~~

www.MartinTurnbull.com

Hollywood’s Garden of Allah Novels on Facebook

Martin Turnbull’s official Amazon author page

Hollywood’s Garden of Allah novels:

  • Book 1 – “The Garden on Sunset”
  • Book 2 – “The Trouble with Scarlett”
  • Book 3 – “Citizen Hollywood”
  • Book 4 – “Searchlights and Shadows”

Hollywood's Garden of Allah novels, by Martin Turnbull~~oOo~~

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“SUBWAY PEOPLE” : A short story behind the short story

"Subway people" - a 1930s short story by Martin TurnbullI’m no different from anyone jumping around the internet these days like a honey bee in summer, landing on websites and pages and blogs whose varying degrees of wow-that’s-interesting catch my attention. Every now and then, I’ll find myself on one of these places and I’m so impressed that I want to keep up with their latest news and events. But of course that entails sharing my email address with someone I don’t know, and my fingers hover over the keyboard while I’m thinking, Well, they seem cool, but if I hand over my email address, will it end up on some mega-super-masterlist used by people trying to sell me a bride from Belarus, 20 quarts of testosterone, or wanting to tell me how a single mom now earns $84,988 per year online without selling anything?

It wasn’t until recently that it occurred to me that I’m one of those people too. I may not be hawking Belorussian brides or buckets of testosterone, but I am hopeful that people might be interested in hearing any news I may have to share concerning my Hollywood’s Garden of Allah novels. So on my website and each of my blog posts, I give people a chance to sign up to my mailing list. All I offered in exchange was the promise that I wouldn’t share it with bride pimps or drug traffickers.

Then, recently, I read a blog post by a fellow indie author who talked about his theory that these days our email addresses are a precious commodity, and it isn’t enough for us authors (and bride pimps) to ask someone to give up theirs in exchange for a mere promise, no matter how sincere. He suggests that we offer up something more tangible than I really really really really do promise to not give your address to anyone. That author wrote a longish short story parallel to–but separate from–his main fiction, and made it available exclusively to people who signed up for his mailing list. He said that what happened next supported his theory: people started signing up to hear his latest news at a much greater rate than before.

So that got me thinking. Perhaps I could do something similar with the world I write about – life in Hollywood during the 1920s, 30s and 40s.

I was still musing what that story might be when I heard from a Canadian fan, Charlie Kaus. He contacted me to say that he was re-reading my first book and it occurred to him that “Subway People” would be something he’d love to read if ever I got around to writing it.

"The Garden on Sunset" by Martin Turnbull

“The Garden on Sunset” by Martin Turnbull – book 1 of the Garden of Allah novels – available free in all ebook formats.

In my first book, The Garden on Sunset, one of the main characters, Marcus Adler, experiences his first success in 1935 when he sells a story called “Subway People” to the Saturday Evening Post. MGM director, George Cukor, sees the story and takes the time to contact Marcus. Subsequently, the two men become friends.

When Charlie suggested that I write “Subway People” I all but slapped myself across the face. Of course that’s what I should write! His suggestion was all it took for my creative wheels to start turning, and the story was done a week later. I am now offering it up to anyone who would like to join my mailing list.

If you haven’t yet signed up, click on the Subscribe me! image below. Once you’ve signed up, you’ll be directed to a page where you can download the short story in the format of your choice.

And if you’ve already signed up and would like to read the story, EMAIL ME from the address you signed up with, and I’ll be happy to send you the link.

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Subscribe to the Hollywood's Garden of Allah novels mailing list.~~oOo~~

By the way, The Garden on Sunset is available free in ebook format.
Click HERE to take you to the book’s page on my website which lists all the links to all the formats available by the various retailers.

~~oOo~~

www.MartinTurnbull.com

Hollywood's Garden of Allah novels, by Martin Turnbull~~oOo~~

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Announcing an exciting discovery of costumes and trunks once owned by Alla Nazimova

Once upon a time…there was a great dramatic actress by the name of Alla Nazimova. She took Broadway by storm in the 1910s, earning a well-deserved reputation as being one of the great interpreters of Ibsen. Inevitably, Hollywood called, waving a huge contract at her–reputedly worth $13,000 a week–luring her westward. Madame Nazimova heeded the call, and at first she was very successful. But in time she saw the real money was to be made in producing movies, so she set up her own production company. However she found that producing a financially successful movie was harder than it looked. She made two high profile movies — Camille (1921) and Salome (1923) — but they both flopped so badly, Nazimova was all washed up in the movies and she returned to the stage.

Once upon another, much later time…I came across Alla Nazimova when I started doing research for my novels set around the Garden of Allah Hotel built around what was once Nazimova’s movie star mansion on Sunset Boulevard. Hardly any of her films are now available, and ironically, the only two viewable online are the two that sunk her financially, Camille and Salome.

It was Salome that particularly caught my eye. It’s years ahead of its time, especially in terms of production design, sets and costumes. It’s far-out stuff today, let alone to the audiences of the early 1920s, and it’s no great mystery why the expensive film flopped.

And what particularly caught my eye in Salome was the striking headdress she wore: a wig of short dreadlocks topped with beads made out of some sort of luminous material designed to reflect the light. Or perhaps glow in the dark.

salome nazimova 3 salome nazimova 2 salome nazimova 1But Salome was made in 1923 and by the time I discovered her (around 2005) Alla Nazimova’s name and career had all but completely faded from public consciousness. But I continued to research her and admire her for her accomplishments.

I started publishing my Garden of Allah novels, and created my Facebook page, and this blog. Eventually my path led me to Jon Ponder and his website, Playground to the Stars, which covers the history of the Sunset Strip. We discovered in each other a mutual admiration for “Madame” (as she liked to be called) which led to our establishing the Alla Nazimova Society dedicated to preserving and promoting the memory of an unjustly forgotten woman.

We launched the Society in 2013, a full 90 years after the release of Salome, and as much as we wished and hoped and prayed we’d somehow somewhere find artifacts associated with her, we knew the chances were slim-next-to-nothing-okay-we’ll-admit-it-virtually zero-just-ain’t-never-gonna-happen.

Yeah. Well. So much for ‘never’…

I should have learned my lesson back in October 2013 when Jon and I tracked down something I never thought I had a hope in Hades of seeing: the scale model of the Garden of Allah Hotel built after the hotel’s demolition in 1959 and displayed in the mini-mall bank that replaced it (see my blog post here).

In the Fall of 2014, the Alla Nazimova Society was contacted by a Jack Raines, from Columbus, Georgia. He wrote to say that his family was cleaning out his grandmother’s house and came across five steamer traveling trunks, each with the name “NAZIMOVA” stenciled across them.

“What’s in them?” we asked.

He said that they hadn’t opened any of the trunks yet. They just saw the unusual name on the top, googled it and found us.

“Can you open one of the trunks and send us some photos of whatever you find inside?” we asked, now getting a teensy bit excited.

So he and his family did that, took some photographs of the contents, and sent them to us.

We opened the files and just about fainted. The very first one we looked at was this:

nazimova salome wigIn the Nazimova world, this is akin to finding another pair of Dorothy’s ruby slippers or Charles Foster Kane’s sled, Rosebud. If anybody had ever asked me, “If you could have just one of any of Alla’s possessions, costumes, props, or memorabilia, what would it be?” I wouldn’t have even hesitated to reply: “The beaded headdress from her 1923 production of Salome.” But never–NEVER–did it occur to me that it could possibly–POSSIBLY–still exist. Let alone in a forgotten traveling trunk stored in a backyard shed in Georgia.

As it happened, four of the five trunks were empty, but one of them was filled with all sorts of costumes and clothes which once belonged to Alla Nazimova. They were packed away by Nazimova’s long-term partner, Glesca Marshall, and taken with her to Columbus, GA when Glesca moved in with her new partner, Emily Woodruff, a Columbus native and relative of Coca-Cola Company president, Robert W. Woodruff.

So the lesson here is: never–BUT NEVER–assume anything is lost forever. I never thought I’d find the Garden of Allah model, and I certainly never thought Nazimova’s most iconic costume would rise to the surface. Never give up hope, and never assume that the one thing you’d sell your soul to find again isn’t hidden away in a forgotten 100-year-old steamer trunk down in the back yard of a nice house once owned by the grandmother of an inquisitive college student from a town you’ve never heard of sitting on the western border of a state you’ve never been to.

The Alla Nazimova Society has put together a complete inventory of the contents of the Nazimova trunks the Raines family discovered. You can view (and download) the inventory: Click Here for PDF.

~oOo~

Hollywood's Garden of Allah novels, by Martin Turnbull~oOo~

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Announcing the release of Book Four of Hollywood’s Garden of Allah novels: SEARCHLIGHTS AND SHADOWS

Searchlights and Shadows (Book 4 - Garden of Allah novels) Cover

“Searchlights and Shadows”
by Martin Turnbull
Book 4 in the Garden of Allah novels

I am very happy to announce that my next novel “Searchlights and Shadows”
is now available.

The story picks up in January of 1942, a month after the attack on Pearl Harbor.

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At the dawn of 1942, the dark days of Pearl Harbor still loom over Los Angeles. America is now at war, and posters warn home-front Hollywoodites that loose lips sink ships.

Wartime propaganda is the name of the game, and the studios are expected to conjure stories that galvanize the public for the war effort. Marcus Adler is an MGM screenwriter whose latest movie was stolen out from under his whiskey glass, and he’s determined it won’t happen again. He comes up with a sure-fire hit, but his chance to triumph is threatened by a vicious rumor: “Marcus Adler is a goddamned Commie.”

Gwendolyn Brick is the handiest gal with a needle this side of Edith Head. After losing her job at the Cocoanut Grove, she dreams of opening her own dress store. But banks don’t make loans to single girls. However, wartime in L.A. opens the door to an opportunity that will rake in the bucks. But will it be worth the trouble if it drags her back into the orbit of Bugsy Siegel?

At the outbreak of war, the Hollywood Reporter’s circulation starts to shrink like a food rations coupon book. Its lead columnist, Kathryn Massey, realizes she can no longer ignore the obvious: her boss, Billy Wilkerson, is gambling away his fortune—and her future. Could their very survival depend on a place nobody’s heard of called Las Vegas?

In the city of searchlights, suspicions can lurk behind every shadow.

~oOo~

The first chapter is available to read on my website: CHAPTER ONE

Martin Turnbull "Searchlights and Shadows"

MARTIN TURNBULL

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Searchlights and Shadows is available in all formats:

Amazon (US) paperback

Amazon (US) Kindle ebook

Amazon (UK) paperback

Amazon (UK) Kindle ebook

Barnes & Noble Nook ebook

Apple iTunes ebook

Kobo ebook

Book Depository paperback (free worldwide shipping)

For more information see the  Searchlights and Shadows page of my website.

~oOo~

And when you have read it (and assuming, of course, that you enjoyed it), if you have the chance and inclination, I’d really appreciate it if you could leave a review on whichever site you bought it.  Just give it the number of stars you think it deserves and perhaps mention a few of the things you liked about it. If you can, that’d be great, but if you’d prefer not to, that’s perfectly fine, too.

~oOo~

Have you read Book One yet?

It’s currently available for FREE in ebook format.

"The Garden on Sunset" by Martin Turnbull

The Garden on Sunset

is available in all formats

More information can be found on my website:

www.MartinTurnbull.com

~oOo~

You can also follow me on

Facebook: gardenofallahnovels

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And a personal note to everyone who have read The Garden on Sunset and The Trouble with Scarlett and Citizen Hollywood, and took the time to tell me how much they enjoyed it:
THANK YOU!
Your support has been wonderfully encouraging.
All the best,
Martin Turnbull

~oOo~

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Hollywood's Garden of Allah novels, by Martin Turnbull~oOo~

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The Week I Topped Three Different Amazon Top 100 Lists

A short while before I was ready to hand over my next novel – Searchlights and Shadowsto my editor, Meghan Pinson,  I sat down with her for a chat about the manuscript and the sorts of things I wanted her to focus on as she clawed her way through the story.

Once I’d checked every item on my Be Sure To Tell Meghan list, I thought we were done but then Meghan looked at me, all serious like, and said, “I think you should make your first novel free.”

I don’t know what expression registered on my face, but my head was saying, “She wants me to give away a book I spent a year researching and then another year writing. Is this woman high?” Come to think of it, that’s probably exactly what my expression was saying because Meghan went on to say that this tactic had proven highly successful for another client of hers, Pamela Fagan Hitchens who, like me, has a series of books out.

The principle is the same as what drug dealers use: make the first hit free and if the customer gets hooked, they’ll come back and readily pay for the next hit, and the one after that.

While I wasn’t sure I wanted to use the friendly neighborhood heroin dealer as my model, the idea made sense — especially as I’d have a new book coming out in a couple of months. Plus, it’s never a bad idea to shake things up from time to time. Try something new, do something bold. And if it didn’t work or resulted in unforeseen consequences, then I could put everything back the way it was and pretend it never happened.

And that’s what I did. I made The Garden on Sunset free in all ebook formats and then applied to BookBub to be their featured Historical Fiction author in one of the daily emails they send out alerting their huge subscriber list of free or discounted ebooks. A number of sites do what BookBub do, but they’re the biggest. Consequently, they’re the hardest to convince that they should include your book in one of their emails. But I guess I presented a strong case because they accepted me and said I’d be included in their email of December 9th, 2014.

So, December 9th dawned and at around 8am my BookBub email came in and there I was.

"The Garden on Sunset" by Martin Turnbull on BookBub, December 9, 2014I was really just doing this all on faith and had no idea what – if anything – would happen. Imagine my surprise when, a couple of hours later, I thought to check my rankings on Amazon, and found this:

"The Garden on Sunset" Amazon rankingsUmmm…WHAT THE…???

I did one of those long, slow, exaggerated blinks you only see people in the movies do because I couldn’t fathom that within four hours, I was now sitting at #1 on Amazon’s Free Historical Fiction Top 100, AND #1 on Amazon’s Free Contemporary Fiction Top 100, AND sat at #2 in the Free Kindle Store (meaning of all Kindle books being offered free, in any genre, The Garden on Sunset was the second most popular.)

I actually didn’t believe it – or more likely decided that I misunderstood what I was looking at so I clicked on each link.

Lo and behold:

#1 top 100 free Historical Fiction #1 top 100 free Contemporary Fiction #2 Kindle Store (09DEC2014)So then I wondered–actually first, I picked my jaw up off the floor and then I wondered– how many people had downloaded the book. Turns out that over 25,000 people had downloaded it, a number that would rise to over 35,000 over the course of the following week during which time I stayed at the top of those charts for more than three days.

It’s an understatement to say that I’m flabbergasted and gobsmacked at the reaction, as well as thrilled to see The Trouble with Scarlett and Citizen Hollywood sell in unprecedented numbers.

Who knew those drug dealers were so smart?

~oOo~

www.MartinTurnbull.com

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Searchlights and Shadows (Book 4 - Garden of Allah novels) Cover SEARCHLIGHTS AND SHADOWS” – due out January 2015

~oOo~

Hollywood's Garden of Allah novels, by Martin Turnbull - on Amazon

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