Chapter 1 preview of “You Must Remember This” – a novel of World War II Hollywood, by Martin Turnbull

Hello fans of golden-era Hollywood and Turner Classic Movies! Last month I revealed the title, cover art, and for my upcoming novel, You Must Remember This, which is book 3 in my Hollywood Home Front trilogy.

That novel is due to be released in April 2023. Meanwhile, I’m ready to share with you the first chapter which, I hope, will leave you wanting more.

CHAPTER 1

The radio room of the USS Lanternfish reeked of sweat and grease. Dozens of instruments glowed and ticked. And Ensign Luke Valenti could still taste the canned corn chowder he had wolfed down for lunch three hours before. Or four? It was hard to keep track when a guy was trapped in a space that had been built for one but was now housing him as well as the radio operator.

They sat back pressed against back, the heat of Sparky’s spine seeping through his rumpled chambray shirt.

Luke pushed the headset halfway off his ears. “Got the time?”

“What did you do, Warner Boy? Lose your watch overboard?”

Like it or not, almost every enlisted man in the Navy got branded with a nickname. All radio operators were called Sparky. No exceptions. And when Luke had let on that he’d worked at Warner Brothers, the crew had pounced on it.

“It fell off my bunk,” he replied. “Sugar was asleep, so I wasn’t about to risk my life.”

One of the cardinal rules aboard a sub was to never wake a sleeping man. But with only eight inches of space separating one bunk from another, it wasn’t always possible. If roused prematurely, the Lanternfish’s cranky Chief of the Boat transformed into an ogre who devoured sailors for breakfast.

“Wondering what your girl’s doing right now?” Sparky asked.

It would soon be three years since Luke had kissed Nell Davenport goodbye. Usually, it felt like hardly any time had passed since he’d felt her tear-stained cheek against his. On tough days, though, it felt like a dozen lifetimes. It probably wouldn’t if he’d heard from her, but he had received no letters, no cards, no V-mails. Nothing. Ever. Probably just bad dumb luck; most likely, they had gone astray in the vast military postal service. After all, he’d frequently moved around. It would’ve been hard to keep track of him.

But what about the three months he’d spent learning Japanese at the Navy Language School in Colorado? Hadn’t that been enough time for the mail to catch up with him? If it hadn’t been for that Hollywood Canteen broadcast, he might have dropped into a pit of despair. Hearing Nell sing a song she had written using their special secret code had flooded Luke with relief. Her V-mails hadn’t reached him, but at least she’d been getting his.

“Might she be at that fancy nightspot you told me about?” Sparky asked. “What’s it called again? Simon’s?”

“Simon’s is a drive-in hamburger joint. You’re thinking of Ciro’s.”

“She could be puttin’ on the Ritz with Clark Gable or Ronald Colman.”

“They’re not Warner stars. If she’s out with anyone, I’d hope it was Bogie.”

Sparky squirmed in his seat. “I blow a gasket every time I think about how I know someone who’s pals with Humphrey Bogart.”

“He’s a regular guy,” Luke said. “Likes to play chess, likes his whiskey, likes to read, and he especially likes to sit in the steam room at Finlandia Baths on Sunset Boulevard and shoot the breeze with Peter Lorre.”

A crewman appeared in the doorway of the radio room’s newly installed watertight door. “Lookouts on the platform have sighted a mast. Jap merchant ship. Five miles, give or take. Doesn’t appear to be moving.”

Luke patted his earphones. “We need to get in much closer before this prototype I’m testing will kick in.” He needn’t have said anything. Combat procedure was straightforward: all enemy vessels must be fired on. At least Japanese merchant ships had no torpedoes.

“We’re submerging to the deckline to lower our profile, but your antennas should be okay.”

The dense air in the radio room congealed even thicker. The Lanternfish had approached the enemy before, but most recently as part of a pack. This time, however, it was alone.

“Anyhow,” Luke said, as he continued to monitor his set, “when you come visit, I’ll take you to Finlandia Baths. We can relax until we’re puddles of sweat. Deal?”

Sparky studied a photo of the Brooklyn Bridge he’d taped to the only empty square foot of wall space. On their first day out from Pearl Harbor, he’d mentioned to Luke that he’d prefer the Marine Parkway Bridge to remind him of Rockaway Park, where he was from, “but Brooklyn Bridge gets all the attention, so I’m making do.” The two men had discovered they’d grown up ten miles from each other. Back home, it wouldn’t have raised an eyebrow, but five thousand miles away in the middle of the Pacific, it meant a great deal.

“I’ll see if Bogie can join us at Finlandia,” Luke said. There was no reply. He turned to see Sparky staring at the Brooklyn Bridge, barely moving. “Christopher?”

Sparky jumped. Nobody used real names, which, he had confessed during a long night watch, bothered him. “It makes me feel like nothing more than a number. Once in a while, I’d like to hear someone call me by my actual name.”

“Yeah, yeah,” Sparky muttered now. “Norwegian Baths. Bogie. Count me in.”

Luke had noticed the haunted look in Sparky’s eyes the last time a Jap ship had pinged the Lanternfish’s radar. “It’s my job to send out continuous maydays,” he had told Luke that night, “until the end.”

Luke raised a finger at the photograph on the wall. “Thinking of home?”

Sparky ran a hand over his sandy-blond crew cut. “I used to bike from Ninety-Seventh Street to Rockaway Beach Boulevard, ducking in and out of traffic, old ladies shaking their walking sticks at me, dogs barking. I’d pedal all the way to Breezy Point Tip.”

“Must have taken you all day.”

“That’s what summers are for, right?”

“What kind of bike did you have?”

“Schwinn. Red with chrome trim. And you?”

Luke pictured himself coasting along Argyle Road, his feet off the pedals, en route to Aunt Wilda’s, where there’d be rich cream cakes, a new record album to play, and a wild story involving a Levantine diplomat or a contortionist from Saskatchewan. “Sun Racer. Dark green. Black trim.”

“If we knew each other back then, we could’ve ridden from Brighton Beach to Greenpoint.”

“From Bay Ridge to Jamaica Bay!”

Static cracked and popped in Luke’s headset for a full minute before subsiding to a dull hum. Chatter, low and indistinct, rose in its place. As the Lanternfish glided closer to the enemy, inarticulate murmuring grew crisper and clearer. Luke upped the volume. Oh, yes. Definitely Japanese.

A voice, older and deeper, spat out instructions. Do this. Do that. Check this. Double-check that. The other voice, younger and efficient, responded. Yes, sir. Copy that. Confirmed. Understood.

Then Luke heard a command he wasn’t expecting: Flood tubes one and two.

Flooding the tubes was the first step before a submarine fired torpedoes. How was that possible? Merchant ships were armed with only machine guns on the decks. Maybe he’d misheard?

There it was again: gyorai.

The Japanese word for ‘torpedo’ sounded nothing like their word for machine gun.

Luke ripped off his earphones and threw himself through the hatch and into the command chamber, his heart thudding against his ribs. “Captain, I’ve picked up chatter on my prototype. They’re flooding torpedo tubes one and two.”

Captain Polk, a rational man with flinty blue eyes that rarely blinked, pulled his face from the periscope. “Are you sure?”

“Positively.”

The captain reached for his phone to address the entire crew over the boat’s loudspeaker. “All hands. Battle stations. Secure all watertight doors except the com. Clear the bridge. Dive! Dive! Dive! Periscope depth. The enemy has torpedoes, probably in a sub hiding on the far side of that decoy maru. They’ve readied their fish, which means they’ll be coming out from cover real soon.” He swiveled to his right. “Jigs, see anything yet?”

The Lanternfish’s chief radarman stared at his circular screen. “The ship hasn’t moved this whole time.”

“Estimated distance from target?”

“Twenty-one hundred yards and closing.”

Torpedoes had at least a five-thousand-yard range, but the best shots were within one thousand, and could take a minute or more to swim that distance. It wouldn’t be long until the Lanternfish reached that point. Luke tried to swallow, but his spit had turned to concrete.

“BRIDGE!” Every crewman froze in place as Jigs roared his warning. “Confirming a second craft.”

“Sub?”

Tense seconds crawled by until Jigs could be sure. “Jap sub, aye.”

“The enemy has detected us,” Polk yelled through the speakers. “They have the advantage of surprise and will be launching their fish before we can launch ours.”

Luke took his seat as the Lanternfish leveled off.

Sparky gawked at Luke, eyes fogged with apprehension. “Remember our pact. If one of us doesn’t make it out alive—”

“No defeatist talk,” Luke fired back. The voices in his earphones fell silent.

Jigs called out their distance. “Nineteen hundred yards . . . fourteen hundred. . . eleven hundred . . . reaching a thousand in four . . . three . . . two . . . one . . .”

A high-pitched voice split the air. It was Dipper, the sonar guy. “Confirming two inbound fish.”

“All hands,” Polk boomed into the intercom, “brace for impact.”

Luke gripped the edge of his tiny desk and braced his feet against the deck. As the Lanternfish cruised through the water, the only sound was Dipper’s voice piercing the dank air.

“One hundred yards . . . fifty . . . twenty. . .”

Luke held his breath and closed his eyes. Nell’s face appeared in front of him. It’ll be okay, her tentative smile assured him. A breeze blew a lock of hair across her left eye and—

A deafening clang tolled the length of the Lanternfish. Metallic ripping sounds followed. The boat shuddered a moment or two before righting itself.

“A dud!” Sparky let out his breath. “It hit us, though.”

“Forward torpedo room,” Polk called out. “Report your damage.”

A voice Luke couldn’t identify shot out over the intercom. “Bow plane gone. Torn a hole in the hull. Forward torpedo evacuating now.”

“Blow ballast,” Polk ordered. “Take ’er up.”

The forward torpedo room held fourteen men trained to clear out in under fifteen seconds. The Lanternfish could still fire on the enemy with aft torpedoes, but without a functioning bow plane, they were now stuck on the surface.

The captain gave his next order. “Swing ninety to starboard for a tail shot. Flood stern tubes. Open outer doors.”

Their torpedoes were fitted with gyros that could guide them through ninety degrees, toward the enemy, which saved the Lanternfish needing to rotate a full one-eighty. Not an ideal situation, but far from hopeless.

As the deck beneath Luke’s shoes swayed, the earphone voices started up again.

The merchant ship captain was now talking about how his cargo was packed shoulder to shoulder. What were they transporting? Cows? Luke leapt from his desk when he heard the word horyo and approached the captain again. “Sir, the enemy is carrying POWs.”

Polk winced. “It’s a hellship.” The Japs had been freighting POWs as they pulled back to the home islands. “Did they say where?”

“Amidships, sir. There must be lots of them packed into the main hold because they’re, quote, shoulder to shoulder.”

The captain dropped his chin to his chest. “Those sons of bitches know they’re screwed, but determined to take as many of us as they can.”

“Also, sir.” Luke hated the wobble he heard in his voice. “Their skipper stated that he’s prepared to scuttle his maru if he has to.”

Polk alerted the boat. “The enemy is holding POWs. Our objective is to cripple, not sink. With the forward torpedoes gone, I know this is a tall order, but I want you to remember that many Allied lives hang in the balance.”

Sending Luke back to his station, he asked for their current position from the boat’s navigator, who confirmed they had completed the ninety-degree turn.

Dipper called out, “The enemy has fired a second pair of fish.”

“Fire seven!” Polk boomed. “Fire eight! Fire nine! Reload seven. Reload eight. Reload nine.”

Luke felt the vibration through the soles of his black shoes as the Lanternfish thrust three torpedoes into the Pacific.

“All hands brace for impact.”

Luke found Sparky staring at him, eyes round as marbles. Don’t say it, Luke wanted to tell him. We know your job is to send out a mayday while the crew hotfoots it topside.

A deafening explosion reverberated the length of the boat. The Lanternfish lurched, almost jolting Luke and Sparky from their seats. The Japanese fish had struck the aft torpedo room, gashing it with a massive hole.

A fatal blow.

Water would be pouring in now, the room littered with bodies, any surviving crew entombed behind sealed doors.

A shrill alarm rang out. Every man on board knew its meaning. The Lanternfish was dead. Time to abandon ship.

Sparky hunched over his telegraph set—three dots, three dashes, three dots—followed by their coordinates. Luke pressed a hand to Sparky’s shoulder, but he shrugged it away. “Save yourself.” He turned back to his microphone. “Mayday! Mayday!” he said. “Lanternfish disabled. Will report ongoing status.”

Another explosion rattled the sub. Luke hurled himself toward the scrum of crewmen heading for the ladders to the deck. The screeching alarm drilled deep into his skull as his arms and legs flailed for purchase on the ladder’s slick rungs.

The cool sea air whipped Luke’s face as he scrambled onto one of the gun decks.

Pop! Bang!

A bullet whistled past his right ear.

Pop-pop! Bang-bang!

The maru lay silhouetted against the reddish-orange disk of the setting sun. It was closer than Luke had imagined, not much longer than a football field. Close enough that he could see Japs manning machine guns on their deck. Close enough to shoot or be shot. He grabbed the machine gun he’d been allotted to play with during drills.

Rat-a-tatta-rat-a-tatta-rat-a-tatta-rat-a-tatta-rat-a-tatta.

He lost track of how many bursts he fired. Four? Seven? Ten? He was going to hammer away until he ran out of ammo.

A thunderous blast exploded in his ears as rounds splattered above his head. Shrapnel rained down, sharp and searing, singeing his hair, scorching his shirt and skin. Bullets zipped and zinged, whistling past him. He kept firing as the last strands of daylight dissolved in the west.

Dizzy and disoriented, he felt his knees buckling. He hit the deck hard, aching, burning, as he crawled to starboard. Rubber rafts and chunks of debris bobbed on the ocean’s surface. As he struggled to stand, a second boom, louder than the first, felt like it came from the conning tower behind him. Luke’s breath whooshed from his lungs as he lost his footing and tumbled.

Dropping from the cigarette deck, he hit his head against something rigid, metallic, and unforgiving.

Sharp, agonizing pain filled his skull.

Then nothing.

~oOo~

~oOo~

I hope that sneak peek has whetted your appetite for You Must Remember This. And thanks so much for your interest in my work. I do appreciate it so very much.

All the best,

Martin Turnbull

~oOo~

~oOo~

ALSO BY MARTIN TURNBULL:


The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

The Hollywood Home Front trilogy:
Book 1 – All the Gin Joints
Book 2 – Thank Your Lucky Stars
Book 3 – You Must Remember This

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

Instagram

~oOo~

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Revealing book 3 in the Hollywood Home Front trilogy

In writing my two most recent novels – All the Gin Joints and Thank Your Lucky Stars, I was focused on depicting the home front during WWII. And because I write about life in and around Los Angeles during the studio era’s heyday, that’s where my Hollywood Home Front trilogy played out. More specifically at Warner Bros., who were hitting their stride with Sergeant York, The Maltese Falcon, Yankee Doodle Dandy, Now, Voyager, Casablanca, This Is the Army, Destination Tokyo, Pride of the Marines, and Mildred Pierce to name only a few of the classic movies they were producing under the leadership of Jack Warner, the most patriotic and pro-war-effort of all the movie moguls.

When it came to researching book three, I found myself reading about how everybody looked forward to “getting back to normal” after the end of the war. What they didn’t realize, however, was there was no longer a normal to get back to. Surviving through terrible, wrenching experiences had changed the men–how could it not? Meanwhile, the women had taken on jobs once considered the men’s domain and discovered they were more than capable—and were being paid more than they ever dreamed possible. “Getting back to normal” was a trickier proposition than many people realized, and that is great fodder for a novelist.

I’m still tweaking the manuscript ahead of shipping it off to my editor, but I’m now ready to reveal the title, cover art, and book description:

YOU MUST REMEMBER THIS

a novel of World War II Hollywood

by
Martin Turnbull
Book 3 in the Hollywood Home Front trilogy

~oOo~

When the curtain rises on an entirely new life, some will stumble and some will soar.

With the end of World War II finally in sight, Ensign Luke Valenti heads home to Los Angeles, eager to be reunited with the girl he left behind. As Luke navigates his rocky transition to peacetime, he yearns for a quiet return to civilian life, but discovers the US Navy plans to make him its war-hero poster boy and keep him squarely in the spotlight.

On the other side of fame sits Luke’s home-front sweetheart, Nell Davenport, who blossoms in an unexpected career. Thrilled by the excitement following her musical debut, Nell is unaware that every step she takes on the precarious road to success brings her and Luke closer to a revelation that could shatter the fragile life they are struggling to rebuild amid the aftermath of war.

From the author of the Hollywood’s Garden of Allah novels comes book three in the Hollywood Home Front trilogy. You Must Remember This is the story of two people striving to adapt to a world they no longer know.

~oOo~

You Must Remember This is due out April 2023

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

The Hollywood Home Front trilogy:
Book 1 – All the Gin Joints
Book 2 – Thank Your Lucky Stars
Book 3 – You Must Remember This

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

Instagram

~oOo~

Posted in Uncategorized | 6 Comments

A funny thing happened on the way to my latest audiobook.

Book 2 in my Hollywood Home Front trilogy – Thank Your Lucky Stars – came out in June 2022 and immediately upon its release, I sent the manuscript to the narrator I’d chosen to do the audiobook. They take a deceptively long time to do well—it’s more than just saying a bunch of words into a microphone—so I wasn’t overly concerned when a good chunk of time had gone by without a word from the narrator. That is, until a couple of months turned into quite a few months, which turned into “Hello? Hello? Is anybody there?”

Turns out, the narrator had had a protracted illness and now that she was well again, she had a backlog of projects to complete before she got to mine. Okay . . . fair enough . . . these things happen. But did I want to wait even longer? Umm . . . no.

So I contacted James Romick, who narrated book 1 – All the Gin Joints – and asked him if, perchance, he knew of anyone who might fill in. Why, yes, as a matter of fact, he did: his wife, Liz. They were actors when they met and now she wanted to become a narrator. It was a perfect solution because book 3 in the trilogy will be a dual-POV novel where we alternate between the hero of All the Gin Joints, Luke Valenti, and Nell Davenport, the heroine of Thank Your Lucky Stars.

More on that book later. Meanwhile, if you prefer to consume your Hollywood historical fiction via your ears, you can now get the audiobook of Thank Your Lucky Stars:

The Thank Your Lucky Stars audiobook is available at:

Amazon

Audible

And speaking of book 3 of the Hollywood Home Front trilogy…

For those of you who have enjoyed All the Gin Joints and Thank Your Lucky Stars, you will be pleased to know that progress on the final book in the trilogy is coming along right on schedule. I have settled on a title and have hired my cover designer. Once it’s finalized, I’ll be revealing it here. So keep your eyeballs peeled for that!

All the best,

Martin Turnbull

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

The Hollywood Home Front trilogy
Book 1 All the Gin Joints
Book 2
Thank Your Lucky Stars
Book 3 – coming soon

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

Instagram

~oOo~

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A round-up of vintage Los Angeles photos from 2022

As a rather tumultuous year draws to a close (honestly, sometimes I wonder if we ever have any other kind these days…) I thought I’d gather together a collection of some of the more memorable and popular vintage photos of LA that I’ve discovered and shared on my website, Facebook, and Twitter.

~oOo~

Some intrepid photographer climbed into the rafters of Stage 27 at MGM during the production of “The Wizard of Oz” when they were filming Judy Garland’s Dorothy talking to Billie Burke’s Glinda on the munchkin village set. The photographer was close enough for us to see the set but far back enough to take in the technical goings-on behind the camera.

~oOo~

When your name is Edward L. Doheny and you’re the guy who struck oil in 1892 and kicked off the Southern California oil boom, you get to buy any mansion you like such as 10 Chester Place in one of the first gated communities in Los Angeles, which is south of downtown. I don’t have a date for this photo, but the place was built in 1899 and Doheny bought it in 1901, so I’m guessing it was taken around then. In a way, it doesn’t matter because the place is gloriously intact. After all, Romantic Revival combined with Gothic, Chateauesque, Moorish and California Mission never goes out of style.

~oOo~

For us LA history enthusiasts, this is a sad photo indeed: the Pacific Electric streetcar #5146 on Van Nuys Blvd at Sherman Way as it prepares to make the final run on the San Fernando Valley line to the Subway Terminal building opposite Pershing Square in downtown LA. This explains the sign “’By ’By Big Red” (To be honest, the author in me wants to add an ‘e’ at the end of the ‘By’s.) The date was December 29, 1952, after which buses took over that route, but it wasn’t quite the same.

~oOo~

It’s hard to imagine a photo dripping with more atmosphere than this 1943 nighttime image of the Earl Carroll Theater at 6230 Sunset Blvd. Open between 1938 and 1948, it was at the time the world’s largest nightclub. Not only is the famous huge neon sign of the woman’s face glowing like a beacon, but Sunset Blvd is slick with rain. Add a private eye in a trench coat and a showgirl in fishnet stockings and you’ve got yourself a film noir movie in which nothing ends well. (This photo is from the collection of Paul Greenstein and is featured the book he co-authored with Dydia DeLyser, “Neon, A Light History” – https://historyofneon.org)

~oOo~

This image (a freeze-frame from video footage) shows us a tender moment in Hollywood’s history. The cars in this cortege belong to various film industry luminaries as they head to the West Coast funeral service for Rudolph Valentino. The date was September 7, 1926 and they were driving through the streets of Beverly Hills to the Church of the Good Shepherd on Roxbury Drive. His body was later put to rest at the Hollywood Forever cemetery on Santa Monica Blvd.

~oOo~

Lincoln-Mercury isn’t a make of car that I see much on the roads around Los Angeles these days, but back in 1951, when this striking photo was taken at the Berl Berry Lincoln Mercury car dealership, 3700 Wilshire Blvd, they would have been a much more common sight. I love the way the ceiling lighting reflects off the cars, and also those two dramatic semi-circular pylons (which make me think of a certain fast-food company’s golden arches.)

~oOo~

This photo is so beautifully lit that it almost looks as though it could have come from a movie. I don’t know why a photographer was standing on the tarmac of the United Airport Terminal in Burbank when this Boeing 247 landed late one night in 1933, but it’s hard to imagine a more perfectly composed image—especially with a full moon shining through the clouds.

~oOo~

In a city filled with crazy architecture, a simple dome-shaped theater managed to stand out. The Cinerama Dome was built in 1963 and opened on November 2 with the star-studded “It’s a Mad, Mad, Mad, Mad World.”

~oOo~

It seems a mad idea to run the Atchison, Topeka, and Santa Fe railway through the center of Pasadena. It looks like an accident waiting to happen as the all-Pullman Super Chief service, outbound to Chicago, trundles across Colorado Blvd, squeezed between two buildings. On the left we can see an elevated flagman shanty armed with a warning bell—let’s hope it was enough to warn distracted motorists and pedestrians. (undated)

~oOo~

For those of us over a certain age, this billboard will take you back to the time when traveling abroad meant having to get travellers cheques as a safe way to carry money with you. It was especially annoying when traveling around Europe during a pre-Euro age when each country had its own currency. This circa 1930 billboard stood outside Stendahl Art Galleries at 3006 Wilshire Blvd, a block or two east of the Bullocks Wilshire department store.

~oOo~

The photographer who took this 1948 shot was standing on the driveway leading out of the building at 5th and Grand in downtown LA. The Southern California Edison building is now there, so that driveway is long gone, as is, unfortunately, Simon’s soda fountain. The building with the arches is the Biltmore Theatre, which stood next to the Biltmore Hotel from 1924 to 1964. The Biltmore office tower now occupies that space.

~oOo~

Some of you may remember two years ago, I was contacted by the guy who had acquired the original Garden of Allah Hotel sign. He was looking at selling it, but ultimately decided to restore it himself. He just sent me this photo and let me know that he’s started work on the project.

If you missed my original announcement, you can read it HERE.

~oOo~

And a quick update on my current work-in-progress:

Yesterday, I finished the second draft of book 3 in my Hollywood’s Home Front trilogy, which continues the story started in All the Gin Joints and continued in Thank Your Lucky Stars. I now have a working title which may or may not be the final one, so I’m not ready to share it yet. But of course I’ll update you with more info on this one as soon as I’m able.

~oOo~

And that’s about it for me for 2022. I hope you’re all enjoying a safe and fun holiday season. I’ll see you all in 2023!

All the best

Martin Turnbull

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
Book 1 in the Hollywood Home Front trilogy

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

~oOo~

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Announcing the release of “THANK YOUR LUCKY STARS: a novel of World War II Hollywood”

A funny thing happened on the way to writing my Humphrey Bogart-Maltese Falcon-Warner Bros-WWII novel, All the Gin Joints. I realized I wasn’t writing a novel at all; I was writing a trilogy. The people who stayed behind at the home front survived through a lot of changes and upheavals in a short amount of time. Too much to contain in one novel. And so I am now very excited to let you know that

THANK YOUR LUCKY STARS
a novel of World War II Hollywood

Book 2 in the Hollywood Home Front trilogy

is now available.

~oOo~

Martin Turnbull with “Thank Your Lucky Stars”

~oOo~

BOOK DESCRIPTION

After waving her sweetheart, Luke, off to war, Nell Davenport encounters an unexpected entanglement that will change Hollywood forever.

With combat raging across Europe and the Pacific, jobs of all kinds are now open to women on the home front. Nell sets her sights on the publicity department of the Warner Bros. movie studios as she develops a surprising bond with star Humphrey Bogart. But when a captivating 19-year-old is cast opposite Bogie in To Have and Have Not, the newcomer’s arrival threatens to alter the course of Nell’s blossoming friendship.

When momentous news arrives, Nell must track down Luke—a seemingly impossible feat in wartime. Hope appears on the horizon, but did it have to come from Hedda Hopper, a nasty gossip queen intent on ruining Bogie’s reputation? Maybe Nell’s best way of finding Luke is to unveil a secret she has kept ever since she landed in California. It’s caused only trouble in the past, but finding Luke is her top priority and the clock of war is ticking.

From the author of the Hollywood’s Garden of Allah novels comes book two in the Hollywood Home Front trilogy—a story set against one of Tinseltown’s greatest true-life love stories.

~oOo~

THANK YOUR LUCKY STARS is now available through these retailers:

Amazon US Kindle

Amazon US Paperback

Amazon Canada Kindle

Amazon Canada Paperback

Amazon UK Kindle

Amazon UK Paperback

Amazon Australia Kindle

Amazon Australia paperback

Barnes & Noble Nook ebook

Apple ebook

Kobo ebook (US)

Kobo ebook (Canada)

Kobo ebook (Australia)

Scribd

Goodreads

BookBub

Overdrive

Audiobook – COMING SOON

~oOo~

Thank Your Lucky Stars on MartinTurnbull.com

You can read Chapter 1 on my website.

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
Book 1 in the Hollywood Home Front trilogy

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

~oOo~

Posted in Uncategorized | 3 Comments

Hollywood’s Garden of Allah Hotel Jigsaw Puzzle Kickstarter campaign

We never really know what’s going to land in our email inbox on any given day, do we? Case in point:

Recently I heard from Stephen Sasser, co-owner of the Nance-Sasser Studio in Portland, Oregon, who approached me with an idea. They’d recently run a successful fundraiser for the Oregon Historical Society, using a limited-edition, purpose-designed jigsaw puzzle and wondered if I’d be interested in working together on a similar project for the charity of my choosing. After tossing around a few ideas, we have come up with a new Kickstarter campaign to help raise money for the West Hollywood History Center, an organization dedicated to interpreting the unique history of the Creative City, presenting it to the public and preserving it for the future. You can check out their website here.

The image Stephen put together features an old promotional postcard from the Garden of Allah Hotel with a 1950s West Hollywood street map as a background, along with the covers of all nine of my Hollywood’s Garden of Allah novels along the bottom.

The Nance-Sasser Studio has used this issue on a range of items: postcards, a print to hang on your wall, and a 16 x 20 inch, 504-piece jigsaw puzzle.

JIGSAW PUZZLE BOX COVER

POSTCARDS

Here are the six pledge levels:

Pledge $15 or more 
Garden of Allah Postcards 
With this pledge you will receive five 5×7 inch Hollywood’s Garden of Allah Hotel postcards, with the specially created image sustainably printed in full color.
Your friends will know that you supported Hollywood history when you send them one of these unique cards. And you will deserve a grateful thank you from us, and a shout out on our official website.

Pledge $30 or more 
Garden of Allah Archival Pigment Print 
Nance-Sasser Studio is known across the nation for our art prints. We’re making an archival pigment print of the new Hollywood’s Garden of Allah Hotel image. With this pledge you will receive the print, matted at 11×14 inches. It is ready to be popped into an off-the-shelf frame and will brighten any darkened corner in your home. 
And you will deserve a grateful thank you from us, and you will receive a mention on the contributors page on our website.

Pledge $35 or more 
A Garden of Allah Limited Edition Puzzle
You will be the first to receive our special 504 piece, top quality jigsaw puzzle. Measuring 16 inches by 20 inches, it will contain 504 pieces, printed in full-color and carefully die cut out of sturdy backing board. With your contribution of $40 or more you will receive one of these beautiful puzzles. And you will deserve a grateful thank you from us, and a recognition on our official website.

Pledge $65 or more 
Two Garden of Allah Limited Edition Puzzles
With this pledge you will be the recipient of two Hollywood’s Garden of Allah Hotel puzzles. One to keep and one to share with a Hollywood history buddy. They will be over the moon when you give it to them and you will be just as happy with yours to assemble at home with your loved ones. And you will deserve a grateful thank you from us, and a shout out on our official website.

Pledge $110 or more 
The Whole Hollywood Bonanza 
Get it all! With this pledge you will receive all five post cards, the matted archival pigment print, and two Hollywood’s Garden of Allah Hotel limited edition puzzles delivered to your door. And you will deserve a grateful thank you from us, and be recognized on our official website.

Or if you don’t actually want anything, there’s something for you too:

$10 (pledge without a reward)
Back it because you believe in it.
Support the project for no reward, just because it speaks to you.

~~~

A couple of things to note:

  • This Kickstarter campaign runs through to July 30 2022
  • The estimated delivery will be September 2022
  • Shipping only to U.S. addresses

You can learn more about the Garden of Allah Hotel’s fabled history at the West Hollywood History Center’s website: A Place Called the Garden of Allah

You can help the folks who are dedicated to archiving and preserving a special history of Los Angeles by checking out the Hollywood’s Garden of Allah Hotel Jigsaw Puzzle Kickstarter campaign at:

https://bit.ly/GOA-Kickstarter

Thanks so much for your interest and support. It really means a lot.

Martin Turnbull

PS – And those of you who are wondering, I am currently preparing for publication my next novel. THANK YOUR LUCKY STARS: a novel of World War II Hollywood is due for release some time next month, June 2022.

~oOo~

BY MARTIN TURNBULL:


The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
Book 1 in the Hollywood Home Front trilogy

Thank Your Lucky Stars: a novel of World War II Hollywood
Book 2 in the Hollywood Home Front trilogy
DUE FOR RELEASE JUNE 2022

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Pinterest

Facebook

~oOo~

Posted in Uncategorized | 3 Comments

Chapter 1 preview of “Thank Your Lucky Stars” – a novel of World War II Hollywood, by Martin Turnbull

Hello fans of golden-era Hollywood, Turner Classic Movies – specifically Warner Bros., and lovers of WWII historical fiction! Last month, I revealed the title and cover for my upcoming novel, Thank Your Lucky Stars, which is book 2 in my Hollywood Home Front trilogy.

That novel is due to be released in June 2022, but meanwhile, I’m now ready to share the official book description, which will give you a feel for where this trilogy is heading after the events of book 1, All the Gin Joints. And if you keep reading, you’ll find the first chapter which, I hope, will leave you wanting more.

BOOK DESCRIPTION

After waving her sweetheart, Luke, off to war, Nell Davenport encounters an unexpected entanglement that will change Hollywood forever.

With combat raging across Europe and the Pacific, jobs of all kinds are now open to women on the home front. Nell sets her sights on the publicity department of the Warner Bros. movie studios as she develops a surprising bond with star Humphrey Bogart. But when a captivating 19-year-old is cast opposite Bogie in To Have and Have Not, the newcomer’s arrival threatens to alter the course of Nell’s blossoming friendship.

When momentous news arrives, Nell must track down Luke—a seemingly impossible feat in wartime. Hope appears on the horizon, but did it have to come from Hedda Hopper, a nasty gossip queen intent on ruining Bogie’s reputation? Maybe Nell’s best way of finding Luke is to unveil a secret she has kept ever since she landed in California. It’s caused only trouble in the past, but finding Luke is her top priority and the clock of war is ticking.

From the author of the Hollywood’s Garden of Allah novels comes book two in the Hollywood Home Front trilogy—a story set against one of Tinseltown’s greatest true-life love stories.

~oOo~

CHAPTER ONE

Nell Davenport peeked over the balustrade of the Warner Bros. pirate ship. She watched the white beam from the security guard’s flashlight whisk across Stage Sixteen and didn’t draw another breath until the murky shadows had swallowed him whole.

Finally, she was alone.

Wartime audiences searching for escape and romance ensured that studios were raking it in, which meant Warners was releasing film after film after film. And there had been no tranquility at Nell’s boardinghouse after the Office of War Information had asked landlords to jam two lodgers into each room. Or three, if space permitted. Thankfully, Nell had to contend with only one extra girl hanging damp stockings over her coral-pink lampshade. But now there was twice the competition for the morning bathroom.

The cacophony never stopped. The crowding never stopped. The everything never stopped. Sometimes a girl needed a restful nook to recover her wits—like a cozy bunk on a fake pirate ship after everybody else had bolted for the next streetcar or nearest bar.

Something soft and furry ran along Nell’s arm.

She shrank from her unexpected intruder. The tiny photo in her right hand slipped through her fingers and fluttered over the wooden railing and onto the asphalt.

“Damnit, Bucky!” She menaced the studio’s ginger tabby cat with her sternest frown. “Of all the pirate ships in all the world, did you have to sneak onto mine?”

Bucky gazed at her. If the Arabella is anybody’s, he seemed to say, it’s Luke Valenti’s.

He had a point. If Luke hadn’t been hiding out here last month, Nell wouldn’t have thought of his bunk as the ideal place to sink into a soft mattress and wonder when she might get a letter from him. She could relive his lips on hers, his fingertips stroking her skin, his breath warming the base of her throat. God, how she loved that. And oh, how she missed it.

“I’ve got one photo of him,” she upbraided Bucky. “If it disappears, I’ll be on the warpath.”

Bucky remained unperturbed. He had seen it all: royal courts, New York slums, Maine cottages, clever sleuths and empty-headed chorines, voodoo doctors and murderous nurses. What could one little script girl do?

Nell clambered down the gangplank and pounced on the snapshot, then tilted it toward the three-quarter moon rising over the Burbank hills.

The day before Luke had left Los Angeles, the two of them had piled into a photo booth because only nitwits kiss their boyfriends goodbye without a snapshot.

She stared at his face in the moonlight’s milky glow. Did the Navy give him toothpaste? Was the food bearable? Was he warm enough at night? Until she received the letter he promised, all she had were questions.

She would be happy with a hastily scribbled postcard. Everything’s fine! Thinking of you! Or maybe she should be patient. He had only been gone a couple of weeks. He was still probably getting settled into the rigors and routines of Navy life while packing his head chock-full of training and information and procedures. But still. He had to know she was missing him something awful.

Fidgety, that’s what she was. Maybe a stroll around the studio would help pacify the ants in her pants.

She headed up Viennese Street to Brownstone Street. They didn’t have brownstones back in her hometown of South Bend, Indiana, but had they reminded Luke of Brooklyn? Maybe one day he’d take her there and point out his favorite haunts. The last block of Argyle Road, where he’d lift his feet off his bicycle pedals and coast along under oaks and elms. The Bay Ridge Candy Shop, where he’d take her for an egg cream.Then on to Bobo’s Bakery at 13th and 54th for the best babka and pumpernickel east of The Battery.

“Yes,” she told Luke’s photo, “I was listening.”

Nobody in his life had paid him the least bit of attention before he had landed in California with fifty-one bucks, three days’ worth of clothes, and no way to get home. But he would have caught her eye, even if he hadn’t been yelling at Humphrey Bogart. Oh, but that second time, when she’d spotted him at Schwab’s, his eyes round as fishbowls . . .

Was it any wonder I plopped myself onto the stool next to you, she thought dreamily, practically cracking the glass counter with my chocolate malted? That way you looked at me, as though you’d fallen overboard and I was the Coast Guard holding the last life preserver.

Overhead, a pair of ducks quacked, their wings silhouetted against the moon, as they headed for the manmade lake where buccaneers fought it out with the King’s Navy, ocean liners plowed the Atlantic, and brave sailors took on Nazi U-boats.

She turned left at the lake, then left again at Editing, and headed into the two-story office block near the water tower. Warner Bros.’ PR department was the length of a football field. It held three rows of identical desks: dark wood, each with its signature green banker’s lamp and battered typewriter, and each one strewn with pencils and wax crayons, chewing gum wrappers and overflowing ashtrays.

Nell loved how this place reeked of ink and crayon. Newsprint and burned matches. The sweat of meeting a last-minute deadline. She could almost hear someone shouting, “I’ve got it!” when he came up with the perfect slogan to sell the latest movie.

It’s still the guy with guts and a gun who wins the war: Gary Cooper in SERGEANT YORK

The five most shocking words ever hurled from the screen: CONFESSIONS OF A NAZI SPY

From a girl aglow with the rapture of her first kiss to a woman fighting for love: Bette Davis in NOW, VOYAGER

Nell wondered if she was more of an oddball than she cared to admit. Untold thousands of outfits crowded the costume warehouse. Props had billiard tables and Maltese falcons she could play with. But where did her restless feet point her? To the publicity department, with its drafted posters and newspaper advertising mockups, its address books with the names and telephone numbers of every columnist, magazine editor, talent agent, private eye, and bookmaker in town. And probably a few hookers, too.

Being a script continuity girl had been an interesting job at first, but she had been doing it for three years. Frankly, she was bored. Did it really matter if Jimmy Cagney said, “These tommy guns” or “Those tommy guns”? Who cared if Ann Sheridan announced, “I’ll wait until you’re out of Sing Sing” or “I’ll wait till you get out of Sing Sing”? Filming on Bogie’s new picture, Action in the North Atlantic, was thundering along, but it was hardly holding her interest.

Casablanca. Now, there was a magnificent picture. It hadn’t been released yet, but it was plain to Nell that it had all the telltale signs of a hit: doomed romance, exotic location, mystery, suspense. Meanwhile, Action in the North Atlantic had a lot of guns and submarines and water, but that was about it. Yawn.

Nell wanted a new job and fresh challenges. With so many fellas away at war, right now was the best time for a gal with a pinch of gumption to get ahead.

She sat at the third desk on the left whose trash can was always filled to overflowing. There was no telling what interesting nugget she might find among the discards. She scooped up the topmost ball of paper and flattened a Western Union telegram.

NOT HAPPY STOP
LEGS LIKE DANCING SPIDER MIRROR STOP
TOMORROW DAWNS BUT NOT WITH KONG KING STOP
WHISKEY FRISKY RISKY STOP
GEORGE

The only way the cable made sense was if this George guy was drunk—and the Western Union clerk, too. No wonder it had ended up in the trash.

Was it George Raft? He’d been bitter since he’d turned down Sam Spade and Rick Blaine. What a stupid ass.

She picked up the telephone and pretended to dial a number. “It’s Davenport from Warners PR. I got another one of Raft’s nutty rants. Made about as much sense as that Salvador Dali kook. Yeah, that’s right. Drunk. Again.” She slung her feet on top of the desk. “Your client needs to stop sending these cockamamie telegrams when he’s stinko. Okay? Okay!”

Nell slammed down the telephone receiver onto its cradle like the people who crowded this room probably did. She’d bet ten bucks this place hummed all day with jangling telephones, typewriter keys pounding at a gallop, and voices calling out, “What’s another word for ‘tremendous’ that we haven’t used on Flynn since Dive Bomber?”

She left PR and headed past Duplication to the Recording building. Should she? Could she? Dare she?

No, she shouldn’t.

Nell retracted her hand from the door handle as though it were an electric iron. Look what happened the last time you opened your mouth to sing. The entire family had come home early from church and caught you belting a high C. Oh brother, the martyred looks and stern lectures.

She stepped away from the door. On the other side lay forbidden territory.

But still. But still.

Nobody was around. Nobody was watching. A peaceful silence blanketed the studio like a snowfall.

Screw it. This isn’t Indiana.

A long corridor lay past the small foyer with its stiff-backed chairs and potted ficus. Nell tried the first door and peeked inside.

Jackpot.

The recording studio was square, around fifty feet by fifty feet. Next to an upright piano, a thick pile of papers rested on a music stand.

Complete score for
SHINE ON, HARVEST MOON
Producer: William Jacobs
Director: David Butler
Musical Director: Leo F. Forbstein
Orchestrator: Frank Perkins

Nell flipped to the first song.

“Shine On, Harvest Moon”
Sung by Dennis Morgan and Ann Sheridan
(singing voice to be dubbed by Lynn Martin)

She lifted the sheet music, walked past the empty wooden chairs of the horn section, and stepped inside the booth. The microphone was about the size of her fist, with horizontal bars across the front and vertical ones at each end. It smelled faintly of a floral perfume she couldn’t place. Whoever had last stood here sure had poured it on thick.

She dug her fingernails into the palms of her hands. Why so jittery? There’s nobody here to disapprove.

“The chorus,” she murmured to herself. “Four lines, then take off before your nerve deserts you.”

She opened her mouth, filled her lungs and sang:

“Shine on, shine on, harvest moon up in the sky,
I ain’t had no lovin’ since January, February, June or July.
Snow time ain’t no time to stay outdoors and spoon,
So shine on, shine on, harvest moon, for me and my ga-a-a-a-a-al.”

How different she sounded. So clear! So strong! Not at all like the voice in the living room when everyone was at Sunday morning Mass, thinking she had succumbed to a fever.

Reluctantly, she gathered up the sheet music again. She’d pushed her luck far enough. Anyone might come through that door and demand to know what the heck was going on. She hurried down the corridor and through the foyer. As she stepped outside, a loud clatter echoed off the soundstage walls to her right. Nell froze, choking off the gasp that threatened to fly from her.

Why hadn’t she stayed safe and cozy in Luke’s bunk on the Arabella where security guards wouldn’t think of looking? She was a script girl who had no legitimate reason to be romping around the recording studio at midnight on a Wednesday. This was wartime. Spies and saboteurs could lurk in any dim corner.

A grinding sound followed, then a harsh CLANG!

Panic crushed her chest; all she heard was the pounding in her ears and her breath coming in short, strangled huffs. She listened through the crack, but heard no footsteps or tuneless whistling. No flashlight zig-zagged across Stage Ten’s ventilator shaft.

Meow. Meow.

The ginger tabby crouched in front of an upended trash can and sniffed at the contents spilled across the lane. “That’s the second time tonight you’ve scared the cranberries out of me.”

He strolled over and rubbed the length of his body against her shin.

She knelt down and stroked his soft fur. “Did you hear me sing? That long note at the end? Pretty hot stuff, huh? Mother and Father wouldn’t approve. Even ‘Shine On, Harvest Moon’ is the devil’s music to them. I couldn’t win, could I, Bucky-boy?”

The cat meowed loudly, which Nell took to mean, “Not in a million years. You did the right thing. Isn’t it time for bed now?”

She straightened and turned to the mess the cat had made. Lying among the newspapers, chicken legs, and drinking straws, was a handbill with two large words across the top: HOLLYWOOOD CANTEEN.

It was a reference to the pet project of Bette Davis and John Garfield, a canteen where servicemen on shore leave could stop by to get some refreshment, meet glamour girls, and maybe even dance with a movie star. It was opening in a week’s time and Davis was recruiting volunteers. Join us! it cajoled at the bottom. Won’t you do your bit for our boys and for the noble cause we’re all fighting for?

She folded it up and slid it into her pocket. “Come on, Bucky. It’s about time you and I got some shut-eye.”

~oOo~

The song lyrics quoted above are in public domain.

~oOo~

~oOo~

I certainly hope you enjoyed that peek into what’s coming down the pipeline. Watch this space for further developments. The manuscript is currently with my editor and is due for release late June 2022.

And thanks so much for your interest in my work. I do appreciate it so very much.

All the best,

Martin Turnbull

~oOo~

ALSO BY MARTIN TURNBULL:


The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
Book 1 in the Hollywood Home Front trilogy

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Pinterest

Facebook

~oOo~

Posted in Uncategorized | 2 Comments

Revealing book 2 in the Hollywood Home Front Trilogy

I have a confession. When I started writing my previous novel – All the Gin Joints, set against the tumultuous making of Casablanca – I had no idea it would be anything but a stand-alone. I had long wanted to write a novel with the filming of the Warner Bros.’ classic as a backdrop, and now its time had come.

However, it wasn’t until I was halfway through the first draft that I experienced an epiphany. I wasn’t merely writing a story that happened to take place in Hollywood during WWII. I was, in fact, telling a much larger story of a fraught time in a place that was central to getting the pro-war, pro-Allies, pro-victory message out to everybody in the world pitching themselves against the Axis.

I realized that in Luke, Nell, Tristan, Beatrice, Gus, Humphrey Bogart, Peter Lorre, and half the Warners studio, I had a group of people enduring an intense experience together during a turbulent era. Oh, there was lots more story to tell of wartime life in Hollywood.

I’m still tweaking the manuscript ahead of shipping it off to my editor, but I’m now ready to reveal the title and cover art:

THANK YOUR LUCKY STARS

a novel of World War II Hollywood

by
Martin Turnbull
Book 2 in the Hollywood Home Front Trilogy

I am currently shooting for a summer 2022 release, and will soon be ready to reveal the book description to give you a taste of what’s to come. But for now, I’m hoping you’ve taken note that the figure featured in this cover is a girl, which means that the spotlight shifts from All the Gin Joint’s Luke to someone else . . .

Watch this space for more details!

~oOo~

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
(Book 1 in the Hollywood Home Front Trilogy)

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

~oOo~

Posted in Uncategorized | 6 Comments

Garden of Allah Hotel model scan superimposed over former site at the southwest corner of Sunset Blvd and Crescent Heights Blvd, West Hollywood, March 2022

Today’s post is a departure from my usual vintage photos of Los Angeles. But first, a bit of backstory. Recently, I did an on-camera interview for a documentary about some of Marilyn Monroe’s effects found in a public storage facility in the mini mall on the former site of the Garden of Allah Hotel. I mentioned that there was a scale model of the hotel, and gave the filmmakers the details of the guy who has it. A couple of days ago, the cinematographer emailed me to say that they scanned the model using a special camera and have superimposed the image they took using a drone they sent over what is currently a construction site. I can honestly say that in the 15 years I’ve been researching and writing about this place, it’s the first time it felt real to me. Pretty amazing, huh?!

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
(Book 1 in the Hollywood Home Front Trilogy)

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

~oOo~

Posted in Uncategorized | 8 Comments

The gala opening of the Max Factor building, 1666 N. Highland Ave, Hollywood, November 26, 1935

I always assumed that the opening of the new Max Factor building at 1666 N. Highland Ave in Hollywood on November 27, 1935 was probably a big deal, but until I came across this photo and started digging a little deeper, I didn’t know the opening was a gala attended by so many stars and celebrities. It makes sense, doesn’t it? After all, Max Factor was one of the go-to makeup guys in Hollywood with an A-list roster of clientele. But this photo taken on the big night makes it look more like a movie premiere.

This is an advertisement placed in the Los Angeles Times the following day announcing that the makeup studio is now open:

This advertisement appeared in the January 1935 issue of The Screen Guilds Magazine:

This article appeared in Variety on November 26, 1935:

Max Factor’s upcoming opening also made the L.A. Times on November 17, 1935:

Even more amazing is that a scroll of celebrity autographes was made for the evening, the MAX FACTOR’S SCROLL OF FAME:

In this photo, Max Factor is holding an ink pot for Barbara Stanwyck as she signs the scroll with a quill:

Here’s some of the people who were there that night:

  • Veronica Lake
  • Lucille Ball
  • Edgar Burgen
  • Spencer Tracy
  • Virginia Bruce
  • Ginger Rogers
  • Phyllis Haver
  • Marlene Dietrich
  • Colleen Moore
  • Maureen O’Hara
  • Errol Flynn
  • Jack LaRue
  • Claudette Colbert
  • Judy Garland
  • Edward G Robinson
  • John Barrymore
  • Esther Ralston
  • Deborah Kerr
  • Robert Taylor
  • Barbara Stanwyck
  • Ann Rutherford
  • Bela Lugosi

And here’s a few more shots of the building:

From some time in the mid-to-late 1930s:

From 1938 (this one looks like it was taken from a motion picture)

And this one is from circa 1952:

The building is still around and in great condition. It now houses the Hollywood Museum and Mel’s Diner. This image is from November 2021:

~oOo~

My sincere thanks to Judithe Raimist Hilton Factor for most of the photos and information she generously shared with me for this post.

~oOo~

Also by Martin Turnbull:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

All the Gin Joints: a novel of World War II Hollywood
(Book 1 in the Hollywood Home Front Trilogy)

~oOo~

Grab your free books now (limited time offer)

~oOo~

Connect with Martin Turnbull:

Website

Facebook

Twitter

Pinterest

~oOo~

Posted in Uncategorized | 3 Comments